I am a little orchid,
and I feel a little awkward,
'cause I know I should look pretty,
but I think that term's a little iffy,
'cause i'm kinda spiderlike!
Australian Native “Common Bird” Orchid – Chiloglottis Valida
Here is Part 2 of the second “In Pursuit Of”, and as it has been a while since I posted that one (well 3 months actually), if you need a recap this is where we last left off.
- dreaming of wood, and it’s future melding with resin
- waking up and realising that the form I built isn’t high enough for the wood that I wanted to use
- making mental note to measure properly next time
- deciding to take a detour down another creation path, and make something else that will fit into the form
- looking through my bits and pieces to find something to inspire me
- finding “the thing” that will lead me to creation
- finding another “thing” that can be combined with the first “thing” to hopefully make a complete thing that will be pretty nice
- realising that the colours of the two things are going to work really well together (happy happenstance)
- adding other bits that will (hopefully) complement the two “things”
- starting to create
- much fiddling around, and many resin layers later, “Burgundy Grape”exists
- deciding I don’t like the square corners, so doing some therapuetic destrutive shaping with the sander to get this final shape
- this piece is still undergoing it’s final finishing (and yes, it has been months), but everytime I think it is finished, IT”S NOT!
- I shan’t bore you with the recitation of how much sanding, repouring of resin, more sanding, coating the wood part with latex to keep it clean, and pouring resin on the other part, then more sanding – and THEN realising that there were some only part-cured wet spots in the resin, so more sanding and recoating, and on and on and on
- oh, I just did bore you – oops
- anyway, suffice to say this morning I am recoating the Huon Pine with latex in the hopes of doing a FINAL coat of resin on the remaining part later today, in the hope of getting an acceptable finish.
- cross your fingers for me
This piece has tested my patience, and my need for it to “look good”. I don’t strive for perfection, because I think that is unrealistic, and because I also think it looks unnatural in these botanic pieces. I want folks to know that this was handmade: by a real person, who struggled with it’s birth and upbringing, but kept persisting till they created something that was pleasing to them.
Hope you enjoyed this little excursion into how my process works (or doesn’t). I will post some finished pictures at some stage (if it ever actually gets finished).
This is a little test
to see what block is best
and i can happily say
that this block is the way
i want my verse to look!
Thanks to Hugh for telling me about it.
I know i’ve been gone, for a very long time,
and most likely I will be again,
it’s just that some things had taken my mind,
to a place where there was no rhyme.
to a person who “verses” that is not very good,
to be stuck in that place was hard on my heart,
and trying to force it, is not what you should,
as forced versifying will break you apart!
so take it however you wish to do,
with a pinch of salt or the warmth of a smile,
when truly I say that I have missed you,
and I’ll try and tarry, here with you, a while.
P.S – however, the fact that this new editor does my head in when trying to compose text probably is not going to help. Why does it add huge spaces between my lines, or none at all when I write a verse?
So, here is the start of my second creation in this irregular “semi-regular” post series.
(Yes, that sounds confusing to me too – best just accept that I will randomly post stuff when I feel the urge to do so, with no set pattern or regularity, even though I may have alluded to the fact that I would, in fact, do so on a semi-regular basis!)
These posts seem to need the “stream of consiousness” approach to how the pieces start to be created, so get ready for the dot points:
- decide I need to create something
- look around my work space to see what is waiting for “inspiration”
- select a 2/3 finished project that has been gathering dust on the bench for months
- celebrate the fact that this project needs wood, and thus, a trip to my local supplier is required
- note: it is always important to justify my emerging addiction
- go to The Wood Guys and appreciate all the gorgeous timber
- touch the timber
- smell the timber
- feast my eyes on the timber – the knots, burls, grains, colours and textures
- let my soul free to find the weird shapes, the cracked, broken and void filled remnants of a living entity, that I am so drawn to
- (yes, I get a bit carried way, but have you ever, truly, looked a beautiful piece of raw timber to appreciate it – you really, really should)
- sadly accept that I cannot buy all of the timber
- buy more than I need for the current project, because, you know, timber is GOOD.
- drive home, savouring the aroma of raw timber lingering in your personal space.
- change your mind about what you are going to create first, and go completely off plan!
- start all the boring prep work
- sand all the raggedy bits – but not TOO much – I like the character of them
- chop them in half, and arrange them till i get something I think will work
- lay them on acrylic sheet and mark out the size for the form
- measure, cut and sand pine boards to sizes to form the boxwork
- curl up in chair exhausted (but satsified at the progress made)
- daydream of wood, and it’s future melding with resin
……….. to be continued
I like simplifying things – sometimes – and these photos work for this today.
Deep Winter Spirit – because Winter IS here.
The thorns, wrapped in the web in the deep of night, intrigue me.
If you are wondering what the original photos look like, here they are …
The Huon River – on a overcast winter day.
My rose arch on a frosty winter morn.
In autumn leaves rustling
I remember the glory
Of dancing out on a limb
The sway of the branch
As the winds of life
Determined where i would fall
In autumn leaves shining
I remember the colour
Of being held by you
As out on a limb i waited
For your heart
to catch me as i fell
In autumn leaves floating
I remember the sight
Of you and our children laughing
As out on a limb we held them
Safe in our hearts and our love
Never fearing that we would fall
In autumn leaves falling
I remember the grieving
And out on the limb on my own
I cling to the branch that gave me
The dance of the seasons, the reasons
For not regretting the fall.
Well, she still needs an Orange Oil rub down to protect her (she is at the beach after all).
“Inlet” Huon Pine & Resin Serving Board
To help her get to this point I just had to follow these steps:
remoe acrylic backing
admire “worm” pattern
There IS always one!
Well, actually, there were a few more steps involved, at various non-pictured times, that went something like this:
- pour colour layer 3 – over fiddle AGAIN!
- wait 24 hours
- pour clear layer four
- wait 24 hours
- remove the sticky embrace of the plasticine – be happy that no resin seeped out
- turn her over and look at her back – be happy that only minimal resin seeped under the acrylic backing
- remove acrylic backing sheet – be happy that it released so easily
- remind self to weight down wood better next time so no resin seepage occurs
- spend some time admiring the back – colours and “worm” pattern are lovely
- regret that the front is not as nice as the back
- admire the back again
- take some photos that won’t do it justice, but you have to try
- stop procrastinating and move on to unmolding her
- remove layers and layers of tape – be happy that the tape did, indeed, keep the resin where it was supposed to be
- remove the screws at each corner
- say “there IS always one” as the last screw refuses to unscrew with the power drill
- get a hand screwdriver and give it a twist, and it comes undone easily!
- use the tip of the screwdriver to wedge the frame open in the corner
- easily remove the four frames – be happy again that the tape didn’t stick to the resin
- remind self to get more tape
- trim off the little bits of resin that went under the frame
- take more photos (because you are so impatient) even though you know she still needs a lot of sanding to finish her off properly – especially her back
- go out to the wonky workshed and get the sander out – make a mess of resin dust everywhere
- wish again that you had a dust extractor system, and a proper workshed, but then be grateful that you have a space where you can do this messy stuff – even if it is a wet, gravel floored garden shed!
- come inside to the kitchen and get the hand sandpaper out – spend the next hour hand sanding from 400 to 12 000 grit
- accept that your back and arm are not going to like you later
- apply abrasive paste and polish and hand buff some more
- take more pictures tha tyou will have to edit later – and probably discard ’cause they don’t look good enough when compared to the real thing in front of you
- fall in love a little
- be happy
I have just (as in right now) decided that I will start a new semi-regular (you now I actually mean “whenever-I-remember”) post about my creative pursuits – hence the title!
So, for the inaugural IPO, here is a Huon Pine & Resin Serving Board I am in the process of making.
Insert Huon Pine
Make sure it’s level
Seal with plasticine
Weight the Huon Pine down
Pour more Resin
Pour Layer 2
Pour Layer 2
So, the process goes something like this:
- I want to make something!
- Ponder what I want to make ….
- Grab wood that appeals to me – which means it usually has holes/rough bits.
- Go out to the Wonky Workshed and sand timber viciously, then gently.
- Marvel at how beautiful Huon Pine really is – it now feels like silk. Admire it.
- Sand the boring timber pieces I will use to make the frame
- Come inside and put tape all over the frame inside edges, screw them together and add more tape on the outside – several rounds. (The tape is to stop the resin sticking to the wood, and make it easier to remove the finished work once it is cured).
- Cut acrylic sheet for backing. Add to frame with more tape.
- Put it on a support board on the workbench and insert the Huon Pine.
- Make sure it is level – shim the support board where needed to get it level.
- Squish plasicine around all the outside edges, because my faith in the tape has been broken before – and I don’t want resin all over my floor.
- Squish plasticine round the front corners of the support board so it doesn’t move and become unlevel during proceedings.
- Mix up the resin, mica poweders and pigments (no pictured – it’s too sticky to take pictures when I am doing this).
- Pour colours into the form, mix them up, heat them up, swirl them around until I get something I like – or until they get too sticky and I am stuck with whatever it is even if I don’t like it!
- Regret the last minute fiddling I did to the resin – but too late, now I am stuck with it (see point above).
- Admire the gorgeous colour pattern in “The Inlet” (pic 9)
- Take pictures so I can make a post for Instagram and Facebook – you know it’s not real till you put it online!!!!!!
- Wit 24 hours for the first layer to cure.
- Mix up more resin, trying to be careful not to mix too much of the colours I don’t want to take over in Layer 2.
- Can’t control my mixing frenyz and I make too much dark blue – it is such a gorgeous colour, but a little goes a long way.
- Pour resin and use heat gun till I get a pattern I really like, even if the colours mix a little too much.
- Sigh when “The Inlet” first layer disappears, but hope to replicate it on Layer 3.
- Use the left over resin colours on the underside of another ocean piece I have had sitting on my bench for repairs – hope that works out ok.
So, this is where I am now, waiting for it to cure for 24 hours before I can pour another layer. I think Layer 3 will be a deeper layer with only a little colour in it, in an attempt to get a semi-transparent look that will let me see some of the darker colours in the depth, and have lighter colours towards the top. Like looking at the ocean with poloroid sunglasses (I hope).
Who knows how it will end up, sometimes it’s just going with it and hoping that you don’t hate it when it’s finished.
Take care folks, have a happy and safe Easter.
…………………………………………………………………..and remember – Clean Hands mean you Care
I am a person of pattern
of habit and rhythm in life
and when this gets interrupted
it can cause all manner of strife
I’m working from home at the moment
I’m not sad to give up the commute
it’s just that my new “office” layout
is not really made to suit
I am a person of process
do this, then this, and then that
when something is not in it’s order
in has a flow on effect
I’m starting to find a new pattern
it is wobbly, when I long for smooth
but a good life is never a constant
and repetition will eventually soothe
I am a person of habit
but that rhythm can lead you astray
so I’m working on new ways of being
as I wait through these “stay at home” days